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So you head off to an island where you try to save -one- island girl from being married to a guy she doesn't want to be married to.
Of course it all ends up ok, because one day they're led from prison and their bonds are cut and it's all because a really convincing missionary separate from the existing Island Missionary, who I guess didn't have the chops showed up and convinced the Chief to convert to Christianity and he builds a church and lets the Island Girl love who she pleases.
And she gets to marry her Christian chief and the guys say "Phew, I guess we can go home now. Starts off as a sweet children book, ends with too abrupt of a didactic tone along with mildly annoying instances of casual racism.
View all 4 comments. It's always tricky assessing Victorian youth fiction in the light of our current postcolonial period, and all of the necessary revaluations that has entailed.
A Tale of the Pacific does have some horrendously condescending views upon the age-old moral dichotomy of 'savagery v. Ballantyne is a relatively unusual author for his period.
Edinburgh-born Ballantyne clearly had a strongly evangelical Protestant morality, but this was also tempered with a clear It's always tricky assessing Victorian youth fiction in the light of our current postcolonial period, and all of the necessary revaluations that has entailed.
Edinburgh-born Ballantyne clearly had a strongly evangelical Protestant morality, but this was also tempered with a clear-sighted and scientifically rational-observational mindset.
Rather than glory in the military might and commercial prowess of empire, attempting to paint a thin veneer of moral purpose over Britain's overseas ventures, Ballantyne instead chooses to render the exotic, faraway islands of the South Pacific in minute detail, seemingly for the purpose of promoting the Christian Missionary cause, as well as telling a damned good tale of derring-do.
The novel is narrated by the mature figure of Ralph Rover, who reflects back on his early adventures as a young man marooned upon a coral island in the Pacific Ocean.
Two other young men, Peterkin Gay and Jack Martin, manage to survive the wreck of the trading ship, which Rover was set to sea aboard.
Jack is the oldest and strongest of the boys. He has a keen sense of bravery and proves adept at mechanical design and manipulation.
Peterkin is the youngest and smallest of the boys. Unlike, Jack and Ralph he seems to lack a certain quality of upbringing and education.
However his speed and agility make him an excellent hunter. Peterkin is also the clown of the group, frequently entertaining the other two and keeping the trio's spirits buoyant.
Ralph, meanwhile, is the most obviously religious of the group, as well as the most cerebral. Many times throughout the novel he claims to be observing, or contemplating, something that he has come across, as if he can only conceive of the entirety of something through reflecting upon it.
As Ralph is the narrator we have to take him at his word, yet there is the distinct possibility that his present age - when narrating - has allowed him to place certain, more obviously academic and spiritual, concerns upon the events of his youth.
What Ballantyne's novel successfully presents is an adventure story, very much of the ripping yarn variety, that is both exciting and relatively plausible.
The immense detail that is poured into precise descriptions of coral constructions, sea-life, plants and vegetation, maritime equipment and the conditions of 'native' peoples, gives the novel the veracity of a travelogue.
Ballantyne was a great believer in writing about what one has seen with ones own eyes and in The Coral Reef, this is an oft-repeated mantra of Ralph's.
The book falters a little in the final third when the boys come across a Missionary outpost. At this point Ballantyne's prose seems to slip into a sermonising, or eulogising, mode of discourse, that wishes to convince not just the boys, but the readers also, of the merits of the Christian Mission.
Until this part of the novel Ballantyne managed to marshal his narrative with expert pacing and a keen eye for wondrous detail, which although weakened in these closing sections, still manages to maintain reader interest.
It is easy to imagine what kind of impact this book would have had on young imaginations back in the 's and must be seen as the inspiration for a fair few maritime careers in the latter half of the 19th century.
Ballantyne's fellow Edinburgh native Robert Louis Stevenson clearly utilises many of the mechanical elements of Ballantyne's plot for his own high-seas masterpiece Treasure Island.
Despite being a novel aimed at youngsters, and crammed full of all the various forms of Victorian moral improvement, The Coral Reef also manages to inject moments of startling brutality into many scenes, that even by today's jaded standards would seem horrific.
That said, perhaps the novel's most admirable quality is the way in which its central characters find a means to co-operate effectively with one another for the betterment of all.
At his very best Ballantyne manages to meld together progressivist scientific rationalism, the core civil decencies of Christianity and an exceptional ability for narrative pacing that makes books like this a joy to read, and not just a historic curio.
Hidden away in the depths of Ralph Rover's reminisces there are profound and beautiful passages such as this from the closing chapter of the novel: The world is a scene of constant leave-taking, and the hands that grasp in cordial greeting to-day are doomed ere long to unite for the last time, when the quivering lips pronounce the word --"Farewell" This is a quintessential boys adventure story: Ralph goes to sea as a cabin boy, almost as soon as they 'round Cape Horn and enter the Pacific ocean a storm sinks their ship marooning him and his two friends on a coral island on which they have wonderful adventures before escaping the island.
This book is in fact a prototype of several story genera, Ballantyne was a prolific writer of stories for young people, publishing over between and his death in The Coral Island is considered This is a quintessential boys adventure story: The Coral Island is considered his most successful in that it has never been out of print since it was published in Surely that is some kind of record in print for almost years!
One of the writers influenced by him was Robert Louis Stevenson, who was so influenced by The Coral Island, that he based portions of Treasure Island on it.
Also, The Coral Island can be considered one forerunner of the genera of 'deserted on a desert island' that is a hugely influential literary theme.
I was especially excited to find it in Little Dragon format, hands up who remembers the little dragons? These children's books are practically historical their own right these days and this one was published in , a 'Red Dragon For boys and girls years.
As excited as I was to read it, I was a little disconcerted by the superficiality of the beginning in which less than a page of introduction passes before our narrator was at sea and less than three before the shipwreck.
The writing also, seemed superficial and unsatisfying compared to my expectations. Then I was sucked into the story and didn't really emerge until the end when the writing again was choppy, the story unlikely, and the ending astonishingly abrupt.
And then, of course, I realised that the little dragons of my childhood, like readers digests, must have aimed to give the story, stripped down for kids.
This book says that it is 'a tale based on Despite this it was a fun, fun story. An innocent, childlike and occasionally childish adventure of three impossibly nice and kindly boys between years old that ends impossibly happily.
Total suspension of disbelief is needed for it: The fact that Ballantyne was an educated man, familiar with the writings of Darwin and Wallace and very well read on 'current' subjects relating to the tropics does come through but it is an idealised fantasy island he has created.
Also, writing as a 's man, it is imperialist and racist, though the missionaries have been carefully and entirely deleted from this book there are enough other references to ruffle the feathers of a modern reader.
The idea that a 18 year old cabin boy with a tree branch can defeat a grown man who is a practiced warrior by virtue of his 'white superiority' left me with tears of laughter in my eyes.
Also, the 's were convinced that every black race were inveterate, persistent cannibals and that element is strongly part of our youthful heros adventure's.
They have no sex drive, they never swear, they are completely moral and never hurt each other beyond the occasional very mild prank.
They are utterly unbelievable and yet strangely likable in their unreality. Despite the innocence and fun of the story, In my view at least, it is no longer suitable for children, not even "Older boys and girls years " let alone ones , that are the Red Dragon's target market.
I very strongly feel the the phenomenal levels of racism are unsuited to non adults in the 's. The very idea of having to explain to my 13 year old godson with his many Fijian friends, why the book is claiming they are all cannibals who kill each other without mercy or compassion gives me cold shudders.
But it has whetted my appetite for reading the whole, unabridged story that Ballantyne wrote, for sure! Feb 17, Rick Silva rated it liked it.
I don't tend to reread very many books, but this was one that I loved when I read it as a pre-teen. I decided to try reading it to my son in chapters.
First half was great. Classic adventure story with three teenaged boys shipwrecked on the iconic deserted island in the South Pacific.
Their story of survival together is perhaps a bit overly optimistic, but it's still great fun. When the book moves into its second act, and pirates and Pacific Islander natives become involved, it takes a turn into I don't tend to reread very many books, but this was one that I loved when I read it as a pre-teen.
When the book moves into its second act, and pirates and Pacific Islander natives become involved, it takes a turn into some pretty graphic violence, and I found myself having to skip a lot when reading to my son just because it really wasn't appropriate for his age.
It also presents a lot of severe racial stereotypes and inaccuracies, probably typical for its genre and time of writing, but no less disturbing.
Interestly, this book almost certainly more so than the similarly-themed Robinson Crusoe was obviously a strong influence on Golding's Lord of the Flies.
One aspect that I did really like in this story was the loyalty between the three boys, and their readiness to express their love for each other and their fears when things go wrong.
The range of emotion is missing from a lot of more current adventure stories featuring boys, and it was a nice recurring theme, especially in the first half.
I had very little memory of the negative aspects of this book from my original reading of it, so it was an interesting experience to revisit it with a few decades of additional life experience.
Feb 19, Micaiah rated it really liked it Shelves: The Coral Island was truly a masterpiece. I now understand why it was one of the most well-loved Ballantyne books of its time and even today.
The characters were impeccable. I fell in love with them immediately. The storyline was fascinating and well-written.
All around, it was fantastic. Another add to this wonderful book is the Gospel message that R. It was a riveting and intriguing story of three boys trapped on a lonely coral island out in the Pacific Ocean, and the many adventures and perilous happenings that befell them.
Suffice to say, I loved it! Jack, Peterkin, and Ralph were the perfect trio. They worked well together. They worked perfectly together. I have to say that thirteen-year-old, Peterkin Gay was my favorite.
He was lively, humorous, incredibly energetic, and mischievous. But he also has a real depth to him that shows on those rare occasions.
Ralph was philosophical, studious, and absolutely charming. He often trails off into deep patterns of thought, which is quite interesting, and, honestly, kind of fun.
Suffice to say, I loved him. Jack, the brains and brawn, was the leader. Who knows what would have happened to Ralph and Peterkin had Jack not been on that coral island with them!
He showed courage and bravery many times throughout the entire book, and was truly sacrificial. Always the one to whom both younger boys looked to when in doubt actually, when in trouble , he showed wisdom and always had a plan.
Conclusion sorry, this was a long review: The Coral Island was a wild and adventurous mix of desert coral islands, dangerous pirates, unmerciful savages, and one crazy journey from England to the Pacific Ocean, intertwined with Godly principles and an ocean-full of humor.
It espoused principles such as: The Coral Island was a fantastic book that I absolutely loved. I recommend it to those who enjoy adventure and historical fiction.
Dec 23, L. Fidler rated it liked it Shelves: Most of the atolls fall into two groups, while Mellish Reef to the east, and Middleton Reef and Elizabeth Reef to the south are grouped separately:.
The Nature Reserves were created to protect wildlife in the respective areas of the territory; together they form the Coral Sea Reserves Ramsar Site.
Their location, where tropical and temperate ocean currents meet, contributes to an unusually diverse assemblage of marine species.
These mostly submerged atolls which dry only during low tide were added to the territory only in From Wikipedia, the free encyclopedia.
Geography portal Islands portal Australia portal. Archived from the original on 6 February Archived from the original on As part of the Machinery of Government Changes following the Federal Election on 29 November , administrative responsibility for Territories has been transferred to the Attorney General's Department.
Retrieved 25 November Archived from the original on 23 December Retrieved 14 March Ralph tells the story retrospectively, looking back on his boyhood adventure: With the memory of my boyish feelings strong upon me, I present my book especially to boys, in the earnest hope that they may derive valuable information, much pleasure, great profit, and unbounded amusement from its pages.
The account starts briskly; only four pages are devoted to Ralph's early life and a further fourteen to his voyage to the Pacific Ocean on board the Arrow.
The narrative is in two parts. The first describes how the boys feed themselves, what they drink, the clothing and shelter they fashion, and how they cope with having to rely on their own resources.
The second half of the novel is more action-packed, featuring conflicts with pirates, fighting between the native Polynesians, and the conversion efforts of Christian missionaries.
Fruit, fish and wild pigs provide plentiful food, and at first the boys' life on the island is idyllic. They build a shelter and construct a small boat using their only possessions: Their first contact with other humans comes after several months when they observe two large outrigger canoes in the distance, one pursued by the other.
The two groups of Polynesians disembark on the beach and engage in battle; the victors take fifteen prisoners and kill and eat one immediately.
But when they threaten to kill one of the three women captured, along with two children, the boys intervene to defeat the pursuers, earning them the gratitude of the chief, Tararo.
The next morning they prevent another act of cannibalism. The natives leave, and the boys are alone once more.
More unwelcome visitors then arrive in the shape of British pirates , who make a living by trading or stealing sandalwood.
The three boys hide in a cave, but Ralph is captured when he ventures out to see if the intruders have left and is taken on board the pirate schooner.
He strikes up a friendship with one of the crew, Bloody Bill, and when the ship calls at the island of Emo to trade for more wood Ralph experiences many facets of the island's culture: Rising tensions result in the inhabitants attacking the pirates, leaving only Ralph and Bloody Bill alive.
The pair succeeds in making their escape in the schooner, but Bill is mortally wounded. He makes a death-bed repentance for his evil life, leaving Ralph to sail back to the Coral Island alone, where he is reunited with his friends.
The three boys sail to the island of Mango, where a missionary has converted some of the population to Christianity.
There they once again meet Tararo, whose daughter Avatea wishes to become a Christian against her father's wishes. The boys attempt to take Avatea in a small boat to a nearby island the chief of which has been converted, but en route they are overtaken by one of Tararo's war canoes and taken prisoner.
They are released a month later after the arrival of another missionary, and Tararo's conversion to Christianity. The " false gods "  of Mango are consigned to the flames, and the boys set sail for home, older and wiser.
All Ballantyne's novels are, in his own words, "adventure stories for young folks", and The Coral Island is no exception.
The Coral Island , for all its adventure, is greatly occupied with the realism of domestic fiction the domain of the realist novel ; Ballantyne devotes about a third of the book to descriptions of the boys' living arrangements.
It is not meant for him. Daphne Kutzer has observed that "the swift movement of the story from coastal England to exotic Pacific island is similar to the swift movement from the real world to the fantastic in children's fantasy".
To a modern reader Ballantyne's books can seem overly concerned with accounts of flora and fauna,  an "ethnographic gloss" intended to suggest that their settings are real places offering adventures to those who can reach them.
The major themes of the novel revolve around the influence of Christianity, the importance of social hierarchies, and the inherent superiority of civilised Europeans over the South Sea islanders; Martine Dutheil, professor of English, considers the novel "a key text mapping out colonial relations in the Victorian period".
The supposed civilising influence of missionaries in spreading Christianity among the natives of the South Seas is an important theme of the second half of the story;  as Jack remarks to Peterkin, "all the natives of the South Sea Islands are fierce cannibals, and they have little respect for strangers".
The importance of hierarchy and leadership is also a significant element.Diese haben den Vorzug, dass Gewinne mit dem Faktor x3 multipliziert werden. Wo finde ich was? Die herkömmliche Symbolik hat in diesem Automatenspiel sehr viel zu bieten. Thanksgiving - Event Thanksgiving Sammlung. At first the refresh time was frustratin g because it seemed like we wouldn't have time to have a chance at completing this. Nicht immer ist der Gegenwert nach einem Gewinn sofort befriedigend. Es gilt jedoch nur für Gewinne unter der 7. Bei Coral Island erleben Sie die farbenprächtige Meereswelt aber nicht nur auf den Walzen, sondern auch daneben. Melden Sie ein defektes Spiel. Wenn du mit deinem Mobilgerät spielen willst, empfehlen wir dir die upjers Apps! Halloween - Event Halloweensammlung. Leitfaden für frisch Gestrandete Die ersten Aufgaben. Dies wird sofort deutlich, wenn Beste Spielothek in Gefell finden Bilder betrachtet werden. Wie das geht, kannst du hier ausführlich nachlesen. Frisch aus dem Kessel. Facebook bietet ein neues, kostenloses Spiel an, bei dem sich Spieler auf einer fernen Koralleninsel wiederfinden. Jetzt Coral Isle spielen. Unter der Meeresoberfläche erwarten Sie 5 Corny übersetzung, 3 Reihen und bis zu 10 wählbare Gewinnlinien, auf denen vier progressive Jackpots schlummern.